State V. Steele. Police administration Essay Example for Free

State V. Steele. Police administration Essay Julian Steele worked as a police officer. In 2009, a robbery took place and the police were involved in the matter. After weeks of investigation, the police traced the vehicle involved in the robbery to one Miss Alice Maxton. Julian, being a police officer got involved in the case. Julian arrested Maxton’s children, taking them away from school. Julian then interrogated one of the three kids, compelling the kid to admit to being involved in the robbery. Julian threatened the kid by telling the kid that if he did not confess to the robbery, his mum would be put to jail. Scared, the kid confessed to the crime and was put to jail. Steele managed to convince Alice to have sex with him, so that he could foresee the release of his son. Certain prosecutors learned of Steele’s misconduct and accused him on grounds of intimidation and kidnap (Gaines, 2012,). Judging by Steele’s behavior, it is correct to say that Steele was involved in police misconduct. According to the law, officers are free to arrest people. This fact discredits the charges of abduction. However, the law does not allow police officers to use false confessions to put people to prison. Steele knew that the kid could not have possibly committed the crime, yet he went ahead to imprison the minor using the minor’s confession as prove. Intimidation is part of a police officer’s work. This fact discredits the claims of intimidation against Steele. However, police officers are not allowed to make threats during questioning. Steele made threats. He threatened the kid that his mum would be put to prison, and that he (the kid) would be separated from his siblings. These threats compelled the kid to admit to a crime he had not committed. This was against the police code of conduct (Worrall, 2012,). Steele is an officer that went against the police code of conduct. As a result, Steele should not be given a second chance. Instead, he should be asked to hand in a resignation letter, before his transfer to prison. This would in turn serve as a warning to other officers. References Gaines, L. K., Worrall, J. L. (2012). Police administration. Clifton Park, NY: Delmar/Cengage. Source document

Macbeth :: essays research papers

In the first act of the play, Macbeth, by William Shakespeare, the reader is introduced to the two characters that will play the most significant part in the play's storyline. Even though they are man and wife, Macbeth and Lady Macbeth have much dissimilarity. One can tell how their personalities differ as the plot moves forward. Though they are married and undying in their love, it can be plainly seen that they have many differences.In the opening scene of the play, Macbeth and friends, on one of their travels, encounter a trio of witches who chant prophecies. To sum up their decree to Macbeth, the witches inform Macbeth that it is his fate to be king. This promise of fate worries Macbeth because he thinks that the present king and his friend, Duncan, is a very good ruler. Macbeth's opinion of King Duncan supercedes his desire to rule the kingdom. Therefore, Macbeth is somewhat hesitant to accept his fate.As Macbeth arrives at his manor after the encounter with the witches, he tell s Lady Macbeth of prophecy. Though she meets the news with the same startling surprise as her husband did, Lady Macbeth is much more positive of the impending fate. She thinks that the impending fate of her husband is a very positive thing and she will do everything in her power to help the prophecy come to pass.The night of Macbeth's return to his home, King Duncan is scheduled to have dinner at Macbeth's manor. This event starts off the chain of events that fuel the entire play. While Macbeth downplays the prophecy and is worried of what will happen, as well as the fate of King Duncan, his wife Lady Macbeth acts very proactive. Her thought processes are sinister and devious, as she conjures up a plan to eliminate Duncan as king and put her husband into power.In the first act of Macbeth, one can see the huge gap between the personalities of Macbeth and Lady Macbeth.

Constructions Of Working Class Masculinity English Literature Essay

â€Å" In recent old ages sociologists have been shocked to detect that blue-collar work forces really spend far more clip with their kids that their professional coevalss, and experience far less threatened by the additions of feminism. ( This is likely because, as DH Lawrence pointed out a long clip ago, the working categories are surer of themselves sexually ) . Propertyless work forces make natural male parents in a manner that other work forces, obsessed with position and calling promotion, merely do non. In Beckham ‘s relentless beauty, ne'er more compete than when looking at his boy, we seem to see all that work forces could be- that stamina and that tenderness combined without struggle or cruelty- if merely they stopped seeking to command everything so much, if they stopped worrying for five proceedingss about looking soft † ( Julie Birchill on David Beckham in The Guardian ) . Masculinity is frequently determined by a adult male ‘s physical visual aspect and how brave they are ; physical strength and following a epic nature is therefore necessary to stand up for oneself and support 1s household. Many of the work forces in working category literature execute manual labor, such as excavation or working in a mill, in order to supply a life for their household. In contrast, although it become more frequent for adult females to work during and after the Second World War, work forces did non adhere to this function reversal, and assisting out domestically was non something which they carried out. Richard Hoggart suggests that many adult females would non desire their hubbies to lend to the domestic jobs, despite their ain heavy work load, â€Å" for fright he is thought womanish † ( 35 ) . Furthermore, Hoggart asserts that working-class male childs shortly get the sense that â€Å" it ‘s different for work forces † and accordingly they contribute less to household care than their sisters ( 36 ) . And though a cause for concern, these â€Å" unsmooth male childs are frequently admired ; the head-shaking over them is every bit proud as it is contrite — ‘ [ H ] vitamin E ‘s a existent chap ‘ people say † . Therefore, although work forces must be married in order to to the full accomplish their maleness, they must besides continually emphasize their heterosexualism, doing certain to ever act in the right mode for their gender. Alan Sillitoe ‘s ‘Saturday Night and Sunday Morning ‘ conveys maleness chiefly through Arthur Seaton ‘s averment of his heterosexualism seen through his intervention of adult females and heavy imbibing, yet besides through his ambivalent mentality on matrimony. Arthur Seaton appears to contemn the thought of matrimony, naming it ‘the dizzy and unsought threshold of snake pit ‘ ( 156 ) , yet he loves disbursement clip with Brenda and entertaining her kids, and by the terminal of the novel, with Doreen, ‘they spoke of acquiring married in three months. ‘ ( 217 ) Arthur, nevertheless, is highly judgemental towards other work forces, ‘Arthur classified hubbies into two chief classs: those that looked after their married womans, and those that were slow. ‘ ( ? ) He says this as if to warrant his matter with Brenda ; Jack must be slow and therefore non worthy to be Brenda ‘s hubby. Arthur believes the ‘slow ‘ hub bies to be less masculine ; they are incapable of delighting their married womans, which is why their married womans are finally unpatriotic, ‘There was something lacking in them, non like a adult male with one leg that could in no manner be put right, but something that they, the slow hubbies, could easy rectify if they became less selfish, brightened up their thoughts, and looked after their married womans a bit better ‘ ( 41? ) . Ironically it appears that the less masculine hubby is less attentive to his married woman ‘s emotional demands. A farther sarcasm is evident when Arthur states that despite his utilizing Brenda and making incorrect, ‘If I of all time acquire married, he thought, and have a married woman that carries on like Brenda and Winnie carry on, I ‘ll give her the biggest gluing any adult female of all time had. I ‘d kill her. My married woman ‘ll hold to look after any childs I fill her with, maintain the house spotless. And if she ‘s good at that I might allow her travel to the images now and once more and take her out for a drink on Saturday. ‘ ( 145 ) This scene clearly depicts Arthur as the alpha-male. He wants to take control, and when he does hold a married woman, he is certain she will make as she is told. Furthermore, he is egotistic and indurate, particularly when he states, ‘Brenda was n't deserving the problem he ‘d been through to maintain her ‘ ( 145 ) , despite the fact it was his mistake she got pregnant, and his determination to trans port on the matter whilst cognizing she was married, which conveys Arthur ‘s irresponsible and barbarous nature. Arthur invariably acts how he wants ; ever taking to move as a ‘man ‘ , when truly, he is portrayed as objectionable and petroleum. We are introduced to Arthur ‘s stereotyped manfully physique early into the novel where he is depicted as a ‘tall, iron-faced, crop-haired young person ‘ ( 34? ) . The usage of the word ‘iron ‘ makes him sound tough, about unbreakable, and this becomes evident in the novel through his difficult imbibing and the battles he gets into. Arthur ‘s maleness is asserted from the gap of the novel, through his description of ‘crafty weaponries around female waists ‘ , conveying his involvement in adult females from the start of the novel. His manfulness is conveyed through his imbibing wonts besides, and the initial rhyme used on the phrases ‘best and bingiest ‘ and ‘piled-up passions ‘ ( 9 ) emphasises Arthur ‘s exhilaration that it is the weekend and he can imbibe more than usual, whilst adding a conversational tone. The colloquialism besides creates a welcoming tone to the gap of the novel, which encourages us to ab initio warm to Arthur as a character. The exhilaration in this gap chapter is starkly contrasted to the humdrum of Arthur ‘s workplace, ‘a hebdomad ‘s humdrum transplant in the mill was swilled out of your system in a explosion of good will ‘ . The apposition within this sentence clearly shows Arthur ‘s grasp of his weekends and the sibilance in the latter half of the sentence conveys a tone of felicity and relaxation since this is his clip to rest. Furthermore, the ‘slow-turning Big Wheel of the twelvemonth ‘ high spots the sense of humdrum and it mirrors the cyclical construction of working category life. The gap to the novel besides introduces Arthur take parting in a imbibing competition with a crewman. It is both the ability to imbibe and the component of competition that are stressed in this peculiar episode, ‘It seemed an even competition for a long clip, as if they would sit at that place sloping it back for of all time, until Loudmouth all of a sudden went green halfway through the 10th pint ‘ ( 11 ) .Arthur ‘s successful achievement in both can be read as an avowal of hegemonic maleness. In contrast to Arthur ‘s imbibing being associated with maleness, in Walter Greenwood ‘s novel, ‘Love on the Dole ‘ , imbibing appears by the way instead than conspicuously. The fresh condemns Ned Narkey for his inebriation and leads us to dislike his character. For illustration, when Ned confronts Sally about why she will non get married him, he states, ‘ah ‘ll mek certain that that chicken rat up street do n't either†¦ non if Ah have t ‘ swing for him ‘ , mentioning to Larry Meath. His bibulous province nowadayss him as unstable, and we do non desire him to be with any adult female. ( 145 ) . Furthermore, when he sees Sam Grundy speaking to Sally after he has had a few drinks, his violent nature is conveyed and we see the negative consequence which imbibing has on him, ‘Blind hatred and enviousness dominated him ; his urge was to snap at Grundy ‘s pharynx, fling him to the floor and kick his encephalons out. ‘ ( 188 ) . This perceptual experience of maleness is criticised and his aggressive linguistic communication is non applauded, contrasting to the light-heartedness of Arthur ‘s imbibing competition in ‘Saturday Night and Sunday Morning ‘ . Furthermore, in ‘Love on the Dole ‘ , Mr. Hardcastle ‘s opposition to ‘the enticement to travel drown concern and wretchedness in drink ‘ ( 94 ) is praised, which highlights that the more manful pick in this instance is non traveling down to the saloon to acquire rummy ; Mr. Hardcastle understands this will do no difference to his state of affairs. Therefore, in order to be manfully is to back up 1s household, which can non be achieved through heavy imbibing. Similar to Greenwood, George Orwell does non commend imbibing through his novel, ‘The Road to Wigan Pier ‘ , and decides non to include it at all. B. Clarke observes that Orwell, â€Å" Does non reproduce images of inebriation and force † which appear in Sillitoe ‘s, ‘Saturday Night and Sunday Morning ‘ . This elevates the mineworkers ‘ position and conveys their maleness in a different visible radiation. They are still physically powerful, yet Orwell presents them as non experiencing the demand to asseverate their manfulness through difficult imbibing, purposefully giving the mineworkers, who are stand foring the working category, a â€Å" stable individuality † . A farther building of maleness in ‘Saturday Night and Sunday Morning ‘ is the gallant nature of Sam ; he is masculine in a different manner to the other working category work forces in the novel since he does non utilize aggression or vulgar linguistic communication. His physical visual aspect is described as ‘a compact Black with a composure, intelligent face ‘ ( 191 ) which juxtaposes the old description of Arthur as holding a face every bit hard as Fe. Furthermore, he is ‘dressed in a well-pressed khaki ‘ ( 192 ) demoing how he takes pride in his visual aspect. Sam besides contrasts Arthur in his attack to hard state of affairss, for illustration, when a battle is about to get down when they go to the saloon for a drink, Arthur accidently spills a little sum of beer on a adult female when he is go throughing the drinks over, and when her hubby intervenes, ‘Arthur clenched his fists, ready to nail him ‘ . ( 194 ) Therefore, he sees fo rce as the reply, whereas Sam calmly states, ‘what ‘s the affair? ‘ ( 194 ) conveying how he is polite and well-spoken ; unlike Arthur, Sam uses fluency over force. Labor is made up of either physical work in the mill or office work ; the former bears associations with the working category whilst the latter with the in-between category. For illustration, the working category figure of Harry Hardcastle in Walter Greenwood ‘s ‘Love on the Dole ‘ despises his work as a clerk at the pawn store chiefly because he views being ‘a mere thruster of pens ‘ ( 21 ) as holding feminine intensions. Therefore, in-between category work was considered as effeminate, intending working category work forces who worked in offices were non considered every bit masculine as those who worked in manual, physical labor. This is contrasted to Harry ‘s dream of working at Marlowe ‘s, which he describes as ‘majestic, impressive†¦ tremendous technology works†¦ with work forces, engaged in work forces ‘s work ‘ ( 19 ) . Greenwood ‘s huge scope of adjectives used to depict Marlowe ‘s are all what Harry aspires to be, and he associates these descriptions with being a existent adult male. Similarly, George Orwell, through his novel, ‘The Road to Wigan Pier ‘ makes the physical work of the mineworkers appear really manfully, and as B. Clarke observes, Orwell, â€Å" insists that mineworkers are bound together partially by their attachment to a traditional signifier of maleness founded on manual labor, physical bravery, and endurance † . Orwell therefore praises these work forces ‘s masculine qualities, such as their physical bravery, endurance and solidarity. He appears really passionate about the work they do, portraying them as heroic, saying that excavation is a ‘Superhuman occupation ‘ ( 19 ) . Many of the work forces died whilst making their occupation, and Orwell presents the dangers of excavation through his narrative ; therefore underscoring the issue sing the development of the working categories. In contrast to the great regard we form for the mineworkers in ‘The Road to Wigan Pier, through ‘Saturday Night and Sunday Morning ‘ , we develop a deficiency of regard for Arthur ‘s hedonic attitude towards his societal position ‘And so it was possible to bury the mill, whether inside it sudating and striving your musculuss by a machine, or whether sloping ale in a saloon†¦ the mill did non affair. The mill could travel on working until it blew itself up from excessively much velocity ‘ . The initial rhyme on ‘sweating/straining/ ‘ and muscles/machine ‘ are all words connected with physical work, underscoring Arthur ‘s maleness. Although his statement about his work-place non counting seems careless, Arthur ‘s warmer side becomes evident when he juxtaposes this to things which do affair in life, ‘But I, he thought†¦ will be here after the mill ‘s gone, and so will Brenda and all adult females lik e her still be here, the kind of adult females that are deserving their weight in gold ‘ . ( 45 ) This description of adult females is beautiful and the initial rhyme on the ‘w ‘ sound conveys how Arthur is underscoring his point that his does hold some regard for adult females, and he is non wholly barbarous and remorseless ; he conveys how maleness does has a softer, more emotional side along with its stereotyped intensions. Due to the economic wants of the post-war period, Sillitoe intentionally presents his characters as taking to maximize their ain pleasance to foreground an dreamer inclination behind hedonism ; working category work forces found it difficult to confront the troubles of the post-war period. For illustration, when Arthur is present during Brenda ‘s gin and hot-bath abortion, he is highly insouciant about it, comparing it to ‘watching the telly with no portion in what he was seeing. ‘ ( 88 ) Arthur therefore conveys no mark of compassion for Brenda ‘s agony. Furthermore, on the same dark, he sleeps with Winnie, Brenda ‘s sister, ‘he could barely retrieve Brenda, believing that possibly he had dreamed about her sometime, but nil more ‘ ( 96 ) . This is flooring after he has merely watched her abort their babe, and his description of merely cognizing her through his dreams suggests that possibly something is incorrect with him mentally ; this coul d, nevertheless, merely be his manner of covering with guilt. If he truly feels no guilt, and has no scruples, although extreme, Arthur could good be thought of as a psychopath. Arthur ‘s rebelliousness of moral values and negligent attitude is conveyed when Arthur and Fred witness a adult male throw a pint glass at a store window, and a female informant ‘held the bewildered perpetrator by his carpus ‘ ( 108 ) whilst they wait for the constabulary. Arthur ‘s immorality and hideous nature is depicted through his sexually derogative description of this adult female ; he loathes her for non allowing the improper adult male flight, ‘She ‘s a bitch and a prostitute†¦ a blood-tub, a murphy face, a swivel-eyed gett, a Rat-clock. ‘ ( 113 ) This deadly spring of misogynism and barbarous linguistic communication portrays Arthur ‘s dominant, aggressive maleness, yet Sillitoe is finally showing this signifier of maleness in a really negative visible radiation.

Eric Saties Socrate Essay - 3388 Words

Introduction Erik Satie began work on Socrate in 1918. Having been absorbing the scandal of Parade and becoming quite popular in the Salons of the high-society of Paris, he started planning new works. Perhaps Debussy’s death in the spring of that year was the final liberation he needed in order to be able to express himself seriously, for sarcasm is frequently a mask for over-sensitiveness and insecurity. But that spring finally brought Satie great joy. He was invited everywhere, and was well respected by fellow musicians. He was receiving a fair amount of commissions, and no longer had to write cabaret music, which he loathed. Satie took on Socrate, commissioned by the princess de Polignac, with complete seriousness: ‘†¦I’m frightened to†¦show more content†¦Satie was constantly rejecting 19th century Bourgeois cultural and socio-political values. As will be discussed later, his music was to a degree a reaction against these values, embodied in the works of Debussy and Wagner. Later, Satie would join the communist party and become involved with Dada, but unlike the Dadaists, who wished to deconstruct language and destroy meanings, or the surrealists, who strove to expose all the inhibitions of modern society and cultivated scandal ‘for its own sake’(5), Satie wished to deconstruct music and ’return to classical simplicity with a modern s ensibility.’(6) The Search for a Meaning and the Socratic Method The Socratic method is a way of teaching or studying by asking questions. Thus the student is led to understand the subject by arriving at answers to specific question, and further questioning, until the subject at hand has been exhausted. In many discussions in the Dialogues, Socrates leads his disciples through a long series of questions, each one following from the answer to the previous, which finally lead the student to the answer. One of the things Socrates was famous for is his constant questioning of supposed masters of poetry, music, politics and other professions. He would show them how limited was their knowledge of their respective crafts(7). A connection can be made here to Ecclesiastes, who

How the Media Influence Perceptions of Obesity Free Essay Example, 3500 words

It is impossible not to mention The Biggest Looser, a truly successful reality television show in the US and Australia. Perhaps, one of the reasons why this show is so popular is the fact that it gives some of its viewers an opportunity to assert themselves. It is always easier to cope with personal problems when there are examples of people whose problems are even worse. The show participants try to lose the most weight and therefore, become the Biggest Loser. At the same time, the main idea of the show is based on an assumption that weight problems are caused by the personal failure, rather than by external circumstances such as environment, genetics, and so on. In fact, this may be called one of the dominant obesity discourses. Within obesity discourse, both overweight and obesity are represented as a failure to care for one s self while the sin body is given recognition as reflecting control, virtue, and goodness , writes (Wright Harwood, 2009). One may be curious why so many people in Western societies are overweight or obese. We will write a custom essay sample on How the Media Influence Perceptions of Obesity or any topic specifically for you Only $17.96 $11.86/page In modern society, her weight may be safely called average. At the same time, she looks quite funny, clumsy and indeed overweight when compared with some of the well-shaped people around her. Bridget is often blamed for being unable to take control of herself. She tends to overindulge on food, smoking, and alcohol, which helps her cope with relationship difficulties.

The Scarlet Letter Lasting Effect Of Sin Essay - 1798 Words

Free Essays brought to you by 123HelpMe.com Lasting Effect of Sin The Scarlet Letter Puritan society placed great importance upon a person s reputation. Without an honorable reputation a person is not worthy of respect from others in their society. Characters in this novel go through their lives struggling with themselves trying to cope with the guilt and shame associated with their actions. In Nathaniel Hawthorne s novel, The Scarlet Letter, he shows the lasting effect that sin has on Hester and Dimmesdale. Hester Prynne s guilt is the result of her committing adultery, which has a profound effect on her life. Hester is publicly seen with the scarlet letter when she first emerges out of the cold dark prison. It had the effect of a spell, taking her out of the ordinary relations with humanity and enclosing her in a sphere by herself (Hawthorne 49). The spell that is mentioned is the scarlet letter, so fantastically embroidered and illuminated upon her bosom (Hawthorne 49). The scarlet letter is what isolates her from everyone else because it symbolizes sin. Hester is in her very own sphere, a world of her own where her sin effects her livelihood and has completely isolated her from the world. Her entrance into the sphere marks the beginning of her guilt, it occurs when she is in the prison after her first exposure to the crowd-her moral agony reflected in the convolutions that have seized the child; her pride, her daring (Bloom 34). The prisonShow MoreRelated The Lasting Effect of Sin a nd Guilt on Hester and Dimmesdale1451 Words   |  6 Pagesnot worthy of respect from others in their society. In Nathaniel Hawthorne’s novel, The Scarlet Letter, the struggle to shake off the past is an underlying theme throughout the novel. Characters in this novel go through their lives struggling with trying to cope with the guilt and shame associated with actions that lost them their honorable reputation. Particularly, Hawthorne shows the lasting effect that sin and guilt has on two of the main characters in the book: Hester Prynne and Reverend DimmesdaleRead MoreA Matter of The Heart Essay1446 Words   |  6 PagesSin is like an open sore that if left to fester will continue to grow worse not improve. Nathaniel Hawthorne examines this concept, as he seeks to connect with his reader. Many of his works revolve around a theme of sin and the effects it has on the mind, body, and soul. Sin is one of those permeating areas that has lasting consequences that affect all of l ife. Many characters in Hawthorne’s works go through their lives struggling as they try to cope with the guilt and shame associated with theirRead MoreEffects Of Sin And Guilt In The Scarlet Letter1119 Words   |  5 PagesMs. Pierce AP Eng Per 1 24 October 2017 The Scarlet Letter Research Essay Dark Romanticists such as Nathaniel Hawthorne mainly focused on the imperfectness of humans and how they are surrounded by sin. 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Douglas Spalding free essay sample

Douglas Spalding was the architect of ethology, the scientific study of animal behavior. He started his research in the mid 1800s. His studies discounted British empiricist claims that animal skill regarding depth, distance; perception and sound localization were learned by the animals while they were young. Spalding study of ethology involved the determiner of behavior such as instinct is behavior that is predisposed or shaped by natural selection or innate pre-programmed behavior. To address the British empiricist claim that perceptual abilities did not require experience, he conducted an study dealing with instinct. He open a portion of an egg where chicks, baby chickens, not girls, where about to hatch and just before their eyes opened, he opened a piece of the egg, and covered the chicks head with a hood. After removing the hood; the chick showed no effects of not being able to see and was able to locate insects to eat, thus showing innate behavior is extremely valuable in animal behavior and not experience. We will write a custom essay sample on Douglas Spalding or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Critical period research is learning that occurs at a specific age or life stage. Critical period is behavior that’s developed within a specific time frame. Spalding withheld chicks from the mother for 10 days. The chicks didn’t hear or see their mother for ten days. Spalding introduced the chicks to the calls of the mother; however, the chicks did not recognize their mother. Spalding observation showed at particular stages in life innate behavior is developed with a specific time. Spalding experiments and observations supported the claim that animals innate behaviors not experiences is a determiner of behavior.